Journal of the stylistic of Persian poem and prose
volume Number 14، number In Volume 6، September 2021 ، issue Number 64

Research in new combinations of Indian style

Musa Sabbaghian , Mohammad Reza Sharifi (Author in Charge), Saeed Khairkhah

Abstract

BACKGROUND AND OBJECTIVES: Composition is one of the most important areas in which poets have entered in order to innovate the language and create creativity. Of course, it should be known that the talent of composing poets is different; The power of composing the poets of a period is not the same; And this inequality is more severe in different periods; In the Indian style, the issue of high compositional frequency is itself a stylistic factor. With the combinations that we encounter in the Indian style in the poetry of poets, as a collection of vague words and expressions, we become so confused and unfamiliar that we cannot get to the depth of the meaning of the verse. The purpose of this article is to study new and special compositions in the poetry of Indian style poets and its artistic functions.

METHODOLOGY: The research method in this article is based on the objectives set in a practical way, taking notes and based on data analysis, analytical-descriptive and data collection (use of library resources and documents, scientific and literary articles, dissertation). And sites), taking notes, setting and classifying them. The research is theoretical.

FINDINGS: The present study practically and scientifically shows that "special and new compounds" are one of the most important factors in the ambiguity of language in the poems of Indian style poets and have doubled the complexity of their language. The themes of these compounds are mainly classified into two groups of abstract and objective concepts. According to the research data, the objective elements of the compounds in the Indian style have a higher frequency compared to the abstract elements.

CONCLUSION: This study by examining the thematic elements of new compositions in the poetry of Indian style poets shows that the elements of objective and abstract compositions can be classified into three groups "nature, objects and animals". The first group, objects 40% of all new compositions They comprise the Indian style, in the second order of nature, 35%, and in the third place, the new compositions of animal theme, 25% of the total composition.

Keyword
composition , Indian style , abstract compounds , objective compounds

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